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.Dana Betzlater pointed out angle and handling problems which would make the routineimpractical for certain working conditions.I restructured the handling toeliminate the angle problems, the loading moves, and the pocket action.Iperformed it for my sister Janet completely fried her, then knew it was readyfor the real world.Yep.It sure is nice not to need any help on this stuff.Presentation:I usually produce the four aces using "Fantasy aces" from the book "Close-upFantasies I." After field testing dozens of ace productions I've discovered that"Fantasy" creates the most immediate audience respect.If you want to producethe coins and cards at the same time then it's hard to beat "Silver Slide" from "LasVegas Close-up." And of course, Deja Vu is an ideal follow up to Al Schnider's"Matrix."STEP I "After handling coins for a while you can get a feel for how old theyare without even looking at their dates."73 Openly place first coin in hand.STEP II "When they're clinked, the older coins have a lower pitch than the newer ones.If we can have a moment of silence I shall attempt a demonstration.and please, tryto hold down unrestrained gasps of amazement."Perform the "Snowden Clink" with each of theremaining three coins.STEP III Strike a pose of intense concentration and as each coin clinks, call off adate.No one will buy the clink demonstration (I hope) but the transparent bluff is a fun"bit-o-business" and sets a trap for the audience from which there is no escape.STEP IV "But if I carefully squeeze the four coins together to keep them from clinking they completely disappear.and the only way to tell how old they are is to look at thedates."74 Michael'sPropositionThe Seduction:A perfect, super easy, surprise finish to any routine using coins and cards.This isa continuation of the "Free-Flight" ending where four coins end up under aspectator's hand.In this finale to the finale the card that was used to cover the coinsjoins the party by falling off the deck and materializing under the spectator's hand.The card and coins are creatively arranged under the spectator's hand so that shedoesn't feel a thing until you tell her it's okay.by Michael Ammar and P.H.First, the Free-Flight ending which you can tack onto the end of your favoritecards and coin effect.I always use it after Deja Vu.STEP I Your four coins have just assembled under one card.Pick up one of thecoins with your right hand and pretend to place it into your left retaining thecoin in a right finger palm (or dropping it to a finger palm from a classic palm).STEP II Pick up the card by sliding it with your right thumb onto the fingerpalmed coin.75 STEP III Slide the left side of the card (and the concealed coin) under theremaining three coins, using the card to slide the coins over to a spectator.Fig.1.Fig.1.STEP IV Direct the spectator to place her hand flat ontothe coins so that all the coins are covered.STEPV As she presses her hand down onto the coins slide the card out,leaving the fourth coin under her hand.STEP VI She will not feel this fourth coin under her hand because of the othercoins on top of it.STEP VII Balance the card on top of your closed left fist.Slowly open yourleft fingers so that the card lands flat onto your palm covering what should bethe coin.STEP VIII Curl your left fingers in to clip the outer side of the card betweenyour first and second finger.Lift the card up with these two fingers to reveal thevanish.STEP IX Drop the card face up onto the deck to lead into Michael'sProposition.STEP X Pick up the deck in your left hand and obtain a left little finger breakbelow the second card from the top.76 STEP XI Riffle the deck toward the spectator's hand.As she lifts up her handto discover the four coins, turn the face-up card face down onto the deck and graspthe double from above the break by its ends with your right fingers
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